By Michael W. Clune

ISBN-10: 0511675372

ISBN-13: 9780511675379

ISBN-10: 0521513995

ISBN-13: 9780521513999

The years after international warfare have visible a frequent fascination with the unfastened marketplace. Michael W. Clune considers this fascination in postwar literature. within the fictional worlds created through works starting from Frank O'Hara's poetry to nineties gangster rap, the marketplace is reworked, supplying an alternate type of lifestyles, certain from either the social visions of the left and the individualist ethos of the appropriate. those rules additionally supply an unsettling instance of ways paintings takes on social strength through supplying an get away from society. American Literature and the unfastened marketplace provides a brand new standpoint on a couple of extensive ranging works for readers of yankee post-war literature.

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The fragmentary conversations between Bast and JR, little glimpses of the clothes he wears or the color of his hair:€all the information we have about JR emerges in a fragile intersubjective space which the form of the novel constantly undermines. As the novel proceeds, as hundreds of pages of unattributed dialogue accumulate, JR gets harder and harder to see and to hear. Gradually, inexorably, the difference between JR’s voice and the voices of everyone else, the difference between JR the character and JR the book, begins to fade.

But when Plainview can make money on it, when the enormous dark jet of oil spurts up blowing the roof off the derrick, the oil is blood. 31 “I run a family enterprise,” Plainview repeats, pointing to his small son whom he brings along to help make his sales pitch. ” But for Plainview the allure of blood money is very specific. ” This way of fusing blood and money is not unique to this film, and in Chapter 4 I will pursue its sources and implications with reference to the novels of Kathy Acker.

Madness opens a space for relations without recognition. For Laing schizophrenia is a “social fact and the social fact a political event” (PE 121). This event has been erased from the history of postwar thought. Laing’s schizophrenic has been replaced by Frederic Jameson’s, who shows us that nothing exists beyond the subject of recognition, of division, of alienation. Jameson places the schizophrenic at the heart of his periodizing study of postmodern literature in precisely these terms. 28 By equating the refusal of recognition with the breakdown of subjectivity, Plath’s recent critics have rewritten Esther’s insanity according to this script.

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American Literature and the Free Market, 1945-2000 by Michael W. Clune


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